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Theory & Papers
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November 1th, 2008 // Master thesis by Chiara Bonfiglioli
Belgrade, 1978. Remembering the conference 'Drugarica žena. Žensko
pitanje - Novi pristup? / Comrade Women. The Women's Question: A New
Approach?' 30 years after
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Interviews
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"I live in a small village in the outskirts of Zurich and I collect
dead animals. My mother also does. I usually just let them dry, but the
bigger ones I put them in alcohol."
Artist Isabelle Krieg and photographer Marianne Engel have connected
their personal and artistic backgrounds to produce the public space
installation “Animal's Heaven” in the courtyard of the squatted
cultural center AKC Metelkova. Krieg's old car has been transformed
into a delicate funeral garden populated by dried dead animals, some of
them coming from Engel's personal collection: butterflies, frogs and
different kinds of insects. A mummified hedgehog lies in its grave in
the truck.
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Calls for Participation
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 subRosa's 'Cell Track: Mapping the Appropriation of Life Materials subRosa ( www.cyberfeminism.net), a US-based collective of (cyber)feminist artists/activists
will be visiting Zagreb, Croatia from May 30-June 8, 2008 for a
collaborative artist residency and performance entitled: A Week
With(out) Women. subRosa will collaborate with women artists,
activists, professionals, educators, and students in Zagreb, to make
visible the often invisible ways in which women produce, reproduce,
maintain, cultivate and care for life in both intimate and public
spheres.
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Vox Feminae eng
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May 7th, 2008 // by Nataša Velikonja
 flickr photo by cemre Europe is boring. Boring for its self-sufficiency, among its own
boundaries; Europe is a jail of virtual affluence and credit standard
in which migrants without asylum, lesbians without lovers,
intellectuals without mass media, and the homeless without comrades are
wandering around. Europe is boring for its “white” conviction that it
is better than the others, as it is supposedly the cradle of education,
culture and literature. It is boring in its perpetual ecstasy with its
fat kisses and broken glass on our lips. It is boring with its
perpetual integration, which is being swallowed as a sacrificed young
body, while images of hatred, slaughter and genocide are whirling in
its eyes. Europe is boring because of its ritualized oblivion and
ritualized machines of desire that never stop their craving.
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Theory & Papers
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May 4th, 2008 // by Tea Hvala
In Ljubljana there are several academic, non-governmental and grassroots groups whose individual members cooperate in public protests against cases of misogyny and discrimination based on gender and sexual orientation. Their collaborations are provisional as they form in response to particular cases of discrimination or hatred and usually disband when other political groups decide to join or continue their efforts. This defensive, even reactionary position is one of the reasons for their political and public invisibility. Nevertheless, they are important agents of both continuity and change within the fragmented feminist map of Ljubljana since the alliances were initiated by a new generation of feminists born in the late seventies and early eighties.
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Calls for Participation
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Inviting All Women:
The seventh Eclectic Tech Carnival will be held
from Sunday the 25th
until Saturday the 31st of May
in Amsterdam, The Netherlands.
The /ETC is a unique tech skill-share that has been held annually since
2002. The emphasis has always been women sharing their experiences,
knowledge and skills around free software, open hardware and universal
interoperability of systems in a fun way.
Registration closes at 23:59 on 1 April 2008.
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Artists & Reviews
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The Exhibition EXCEPTION, Contemporary art scene from Prishtina (Kosova) that has been scheduled to open on the February 7th 2008 in Belgrade at KONTEKST Gallery (to be on display until February 15th 2008) was forced to close just before the opening.
The Serbian police that had to intervene just before the opening
estimated that it can not guarantee safety to the artists, curators
and the public, after an organized group of Serbian nationalist
forces attacked the gallery space and even destroyed the work Face to face by Dren Maljici.
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